Education


MFA Program, Hunter College, New York City

BFA, The School of Visual Arts, New York City

BA, Barnard College, New York City



Residencies


2023      Yaddo Residency, Saragota Springs, NY

2022      The Studios at MASS MoCA, North Adams, MA

2018      Director's Guest, Civitella Ranieri Foundation, Umbertide, Italy

2016      Vermont Studio Center, Johnson, Vermont



Solo Exhibitions


2019      In Her Studio, New Release Gallery, NYC *

2006      Girls’ School, Kustera Tilton Gallery, NYC

1997      Diary, Wooster Gardens, New York City

1995      Interview, Schaper Sundberg Galleri, Stockholm, Sweden

1994      Interview, Jose Freire Fine Art, NYC

1993      Sam Samore, Kerri Scharlin, and Jane and Louise Wilson, David Zwirner

             Gallery, NYC

             Student Body, Dooley Le Cappellaine, NYC

             Wanted, Postmasters, NYC

1991      Gloria Luria Gallery, Miami, FL



Curatorial


2019      Salon 9: Ron Padgett, Carol Szymanski, & John Yau, Scharlin Studio, 

             NYC

             Salon 8: Three Paritcular Authors , Scharlin Studio, NYCSalon 7: 

             Civitella XXV, Scharlin Studio, NYC

2018      Salon 6: F Magazine, Scharlin Studio, NYC

             Salon 5: The Miraculous, Scharlin Studio, NYC

2017      Salon 4: Gonzalez Peña / The Cornichons, Scharlin Studio, NYC

             Salon 3 : Rosenberg / Schneider / Dirty Mirrors, Scharlin Studio, NYC

             Salon 2 : Oppenheim / McClelland, Scharlin Studio, NYC

2016      Salon 1 : Scarpitta / Bankemper, Scharlin Studio, NYC

1992      The Big Nothing or Le Presque Rien, The New Museum of Contemporary               Art, NYC*          



Selected Group Exhibitions


2022      The Patriot, O’Flaherty’s, New York, NY

2020      Reactional Aesthetics:Art of the 1990s from the Robert J. Shiffler                            Collection & Archive, Clay St Press Gallery, Cincinnati, OH 

2017      Soft Power, Elga Wimmer PCC, NYC

             The Miraculous in Houston, organized by Heather (Bause) Rubinstein                    and Raphael Rubinstein in conjunction with the 2017 CounterCurrent                    Festival, University of Houston, Houston, TX

2016      recap: thirty years of momenta art, Momenta Art, Brooklyn, NY

2015      WHO, Lesley Heller Workspace, NYC

              Spring Benefit, Momenta Art, Brooklyn, NY

1997      Multiple Identities, Nexus Contemporary Art Center, Atlanta, GA

              Public Service and Other Announcements, curated by John Ravenal,                       Philadelphia Museum of Art, Philadelphia, PA

              Projects.doc: selections from the Robert J. Shiffler Collection and                           Archive, Cincinnati Arts Association, Cincinnati, OH

1996      Sosie, Sagacho Exhibition Space, curated by Herve Mikaeloff, Tokyo,                       Japan *

1995      Inside/Out: Psychological Self-Portraiture, The Aldrich Museum of Art,                Ridgefield, CT *

             Face Forward: Contemporary Self-Portraiture, curated by Maureen                          Sherlock, John Michael Kohler Art Center, Sheboygan, WI *

             Costume Drama, Gallery 400, University of Illinois, Chicago, IL

             Desiring Authors, Enveloping Myths, curated by Juli Carson, Bernard                     Toale Gallery, Boston, MA

             Closing In, The Institute of Contemporary Art, Philadelphia, PA *

             Looking at Ourselves: The American Portrait, The Hudson River                             Museum, Yonkers, NY

             3, Schaper Sundberg Galleri, Stockholm, Sweden

             The Portrait Now, curated by Elga Wimmer and Berta Sichel, Elga                           Wimmer Gallery, NYC

             The Elusive Figure: works from the Robert J. Shiffler Collection, Dayton                Visual Arts Center, Dayton, OH

             This Ends Up, University of Wyoming Art Museum, Laramme, WY

             Gang Warfare, curated by Michael Corris, The McKinney Avenue                            Contemporary, Dallas, TX and The Independent Art Space, London, UK

1994      On-Line, with John Miller and Galerie Philippe Rizzo, Alternative Space,               Ghent, Belgium

              Sosie, Galerie Herve Mikaeloff, Paris, France *

              Yes I Am, No I’m Not, Momenta Art, NYC I, Myself, Me, The Interart.                   Center, NYC

              Mob, Speedway Gallery, Boston, MA

              The Large (Broken) Glass, curated by Lauren Wittels, HERE Arts Center,               NYC

1993      Tom Cugliani Gallery, NYC

              A/C Project Space, NYC

              Object of Desires, Carl Stevens, Frankfurt, Germany

              Evidently, Dooley Le Cappellaine, NYC

1992      Writings on the Wall, 303 Gallery, NYC

             The Art Mall: A Social Space, The New Museum of Contemporary Art,                   NYC

             E.S.P., Dooley Le Cappellaine, NYC

             Travel and Leisure, Four Walls, Brooklyn, NY

             Art Since 1992, Alternative Space, Brooklyn, NY

1991      Unlearning, curated by Kenny Schacter, Alternative Space, New York

             Rethinking Space (II) Certain Uncertainty, curated by Kenny Schacter.                  and Sandra Gering, The Lobby Gallery, Deutsche Bank,NYC

             Home for June, Home for Contemporary Theater and Art, NYC

1990      All Quiet on the Western Front, Galerie Antoine Candau, Paris, France *

             Work on Paper, Paula Allen Gallery, NYC

              Invitational, Stux Gallery, NYC

1989      American Fine Arts Co., NYC

1986      Selections 35, The Drawing Center, NYC (1986-1987)


* Exhibition Catalog



Selected Bibliography


2018      Scharlin, Kerri, In Her Studio, Zingmagazine, issue 25, pp. 114-130

             Rivera, Natalie, The Women's Group, Zingmagazine, issue 25, pp. 332-354

             Celentano, Carol, Soft Power: Aisha Bell, Sharon Lockhart, Kerri                            Scharlin, Carolee Schneemann, Anita Seiff, Carol Szymanski & Nicola L.,              at Elga Wimmer PCC, Whitehot Magazine, January 2018

2014      Rubinstein, Raphael, 21, The Miraculous, Paper Monument, pp. 34

2006     Finch, Charlie, Old Friends, Artnet.com, May 5

             Kerri Scharlin, Painternyc.blogspot.com, May 9

1997      Hapgood, Susan, Review, Art in America, July, pp. 93

             Greene, David A., Kerri Scharlin, Frieze, Summer, issue #35, pp. 91-92

             Humphrey, David, New York Fax, Art Issues, Summer, pp. 38-39

             Rivera, Natalie, Kerri Scharlin: Diary; Wooster Gardens, Zingmagazine,                  Summer, Issue #4, pp. 258-260

             Pokorny, Sydney, Review, Artforum, May, pp. 110-111

             Newhall, Edith, Art for Argument’s Sake, New York, March 24, pp. 83-85

             Saltz, Jerry, Review, Time Out New York, March 20-27, pp. 48

             Nelson, Katherine, Shameless Dame Claims Fame, Print, January-                            February, pp. 58-63

             Findsen, Owen, Aronoff Exhibit not Art, but an Art Event, The                              Cincinnati Enquirer, Sunday, July 13

1996      Bloom, Amy, A Face in the Crowd, Vogue, December, pp. 293-297

1995      Van der Heeg, Erik and Sven-Olov Wallenstein, Multiple Personalities,                  Material, No. 25,     pp. 10

             Birnbaum, Daniel, Review, Artforum, October, pp. 113

             Monji, Mokiko, Profile, Oggi, March, pp. 217

             McGee, Celia, Portraiture is Back, But, My, It’s Changed, The New York                 Times, Arts & Leisure, January 1, pp. 1, 35

             Lind, Maria, Kerri Scharlin at Schaper Sundberg Galleri, Svenska                            Dagbladet, April 29

             Birnbaum, Daniel, Kerri Scharlin at Schaper Sundberg Galleri, Dagens                   Nyheter, April 28

             Herrmanns, Ralph, From Scharlin's Web, 'just because I make myself the                subject my work...'Dagens Industri

1994      Smith, Roberta, Kerri Scharlin at Jose Freire, The New York Times,                        December 9, pp. C30

             Hess, Elizabeth, Very Kerri, The Village Voice, December 6, pp. 87

             Ickes, Bob, Advertorials for Myself, New York, November 28, pp. 24

             O’Brien, Glenn, Hot Hype: Glenn O’Brien talks with Kerri Scharlin,                      Artforum, January, pp. 82-85, 115

             Ebony, David, Review, Art in America, January, pp. 106 

             The New Yorker, December 12

1993      Saltonstall, David, Artistic on the Face of It, The Daily News, November                4, pp. 24

             Perchuk, Andrew, Review, Artforum, October, pp. 96 

             Weil, Benjamin, Review, Purple Prose, #4, Fall

             Fujimori, Manami, Review, Bijutsu Techo, October

             Stevenson, Peter, Off the Record, The New York Observer, August 16

             Levin, Kim, Voice Choice, The Village Voice, July 6

             Penner, Degen, Egos and Ids: The 17 Faces of Kerri. Or Are They? The                      New York Times, July 11

             Levin, Kim, Listings, The Village Voice, July 27

             Smith, Roberta, Review, The New York Times, June 4 1992      

             Cottingham, Laura, Review, The New York Times, June 4

             Weil, Benjamin, Review, Flash Art, Summer

             News, Flash Art News, March/April

             Mahoney, Robert, Unlearning, Arts Magazine, March, v66, #7, pp. 81-82

1991      Levin, Kim, Listings, The Village Voice, August 20